Plato’s dialogue Cratylus focuses on being and human dependence on words, or the essential truths about the human condition. Arguing that comedy is an essential part of Plato's concept of language, S. Montgomery Ewegen asserts that understanding the comedic is key to an understanding of Plato's deeper philosophical intentions. Ewegen shows how Plato’s view of language is bound to comedy through words and how, for Plato, philosophy has much in common with playfulness and the ridiculous. By tying words, language, and (...) our often uneasy relationship with them to comedy, Ewegen frames a new reading of this notable Platonic dialogue. (shrink)

ABSTRACT This article explores the proliferation of “feminine” language in Heidegger's “Die Sprache.” Through a close reading of the text, I trace Heidegger's use of certain terms such as Austragen, gebären, and Schied to show the manner in which Heidegger's reading of Trakl's poem is implicitly guided by a certain understanding of the feminine. I ultimately argue that the ontological difference is understood by Heidegger in terms of the carrying to term and birth of the world that comes about through (...) the intercourse between human beings and things. (shrink)

Scholarship on the Euthydemus has largely focused on the protreptic character of the Euthydemus—that is, the manner by which Socrates attempts to turn the young Cleinias toward philosophy. By focusing on the dramatic structure of the text, and above all its comic tenor, this article argues that it is Crito—he to whom Socrates tells his hilarious story of his encounter with the two sophist-brothers—who is the real object of Socrates’s protreptic speech.

By way of an interaction with Kierkegaard’s Point of View, this paper attempts to show the extent to which Kierkegaard’s Repetition was a poetic repetition of his own life. By comparing several of his published texts with journal entries and letters to friends, this paper traces the extent and degree of Kierkegaard’s poetic reflection and corresponding lack of existential immediacy. At its most extreme, this paper argues that Kierkegaard did not really exist in the typical sense of the term; or, (...) more precisely, that he only existed as a poetic repetition, an apotheosized ideal. Kierkegaard lived only insofar as he wrote himself into poetry. (shrink)

In his 1942 lectures on Hölderlin’s der Ister, Heidegger discerns within Hölderlin’s poetry a movement beyond the strictures of metaphysics and its representational language. This movement finds its most explicit articulation in the figure of the appropriative journey of the poet from the home into the land of the foreign fire. I argue that Heidegger’s reading of Hölderlin is rendered problematic by Heidegger’s own treatment of Plato’s ‘Myth of Er’ as it appears in his 1942–1943 Parmenides lectures, and that Heidegger’s (...) reading of der Ister is itself a creative re-inscription of Plato’s ‘myth of Er.’. (shrink)

In his 1942 lectures on Hölderlin’s der Ister, Heidegger discerns within Hölderlin’s poetry a movement beyond the strictures of metaphysics and its representational language. This movement finds its most explicit articulation in the figure of the appropriative journey of the poet from the home into the land of the foreign fire. I argue that Heidegger’s reading of Hölderlin is rendered problematic by Heidegger’s own treatment of Plato’s ‘Myth of Er’ as it appears in his 1942–1943 Parmenides lectures, and that Heidegger’s (...) reading of der Ister is itself a creative re-inscription of Plato’s ‘myth of Er.’. (shrink)

At the center of Plato’s Gorgias, the shameless and irascible Callicles offers an attack against philosophy. During this attack, he describes philosophy as a pastime fit only for the young which, if practiced beyond the bloom of youth, threatens to render those who practice it politically inept and powerless. Moreover, when taken too far, philosophy provokes the city into stripping the philosopher of all of his rights and property, leaving him with no οὐσία at all. Thus, according to Callicles, far (...) from making one powerful within the city, philosophy ultimately renders one impotent and utterly without substance. In what follows I argue that the Socrates of the Gorgias agrees with this characterization of the philosopher as the one who lacks power and οὐσία. However, whereas Callicles sees such a condition as the most worthless and pitiable sort, Socrates sees it as the unique and singular posture from out of which true philosophical thinking, and true political power, are possible. As I will show, through the course of the Gorgias as a whole, Socrates offers a counter-discourse that presents the philosopher as a powerless person lacking οὐσία who is precisely thereby able to undertake a pursuit of the truth and the good. Phrased otherwise: Socrates takes ignorance understood as lack or powerlessness to be the very condition for the possibility of philosophy and true political power, while showing rhetoric understood as the pretense of wisdom to be an obstruction to these. (shrink)

This essay explores the role of flame in Heidegger’s 1943–44 lectures on Heraclitus. Specifically, I trace a tension that unfolds within the text between two flames: namely, “the flames of presumptuous mismeasurement” characteristic of modernity, and the flames of beyng. As I show, in GA 55 Heidegger argues that a certain Seinsvergessenheit has come to dominate the modern world and has resulted in an attitude of hubris on the part of the human being. As a corrective to this hubris, Heraclitus’s (...) thought serves as a reawakening of the meaning of being. Heidegger, for reasons which I explore in the essay, understands both the forgetfulness of being, and being itself, in terms of flame. I trace the origins and perimeters of these two flames, marking the character and consequences of this conflict, having recourse to the Heraclitus lectures as well as a number of texts that inform them. I then conclude by broadening the scope of the conflict by examining the role that Christianity plays in fanning the flames of modernity. (shrink)

Who is Socrates? While most readers know him as the central figure in Plato's work, he is hard to characterize. In this book, S. Montgomery Ewegen opens this long-standing and difficult question once again. Reading Socrates against a number of Platonic texts, Ewegen sets out to understand the way of Socrates. Taking on the nuances and contours of the Socrates that emerges from the dramatic and philosophical contexts of Plato's works, Ewegen considers questions of withdrawal, retreat, powerlessness, poverty, concealment, and (...) release and how they construct a new view of Socrates. For Ewegen, Socrates is a powerful but strange and uncanny figure. Ewegen's withdrawn Socrates forever evades rigid interpretation and must instead remain a deep and insoluble question. (shrink)